Listeners 901, Plays: 1.499, Listening Time: 342 h
Jeff McIlwain’s ever morphing musical project, Lusine, has been in existence for almost 10 years now. Originally a Texas native, Jeff now resides in Seattle. In 1998, he attended Calarts to study 20th century electronic music and sound design for music and film. Soon after, he met Shad Scott and put out a self titled release with Isophlux. Since then, he has been releasing his music on various labels including Ann Arbor's Ghostly International, Hymen, and U-Cover. His latest... Read more
Jeff McIlwain’s ever morphing musical project, Lusine, has been in existence for almost 10 years now. Originally a Texas native, Jeff now resides in Seattle. In 1998, he attended Calarts to study 20th century electronic music and sound design for music and film. Soon after, he met Shad Scott and put out a self titled release with Isophlux. Since then, he has been releasing his music on various labels including Ann Arbor's Ghostly International, Hymen, and U-Cover. His latest release, Language Barrier, was somewhat of a departure, focusing less on rhythmic detail, instead highlighting the layers of ambience that were only briefly touched upon in past releases. McIlwain has also contributed tracks to several labels including Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult for various compilations and remix releases. He has performed around the US and abroad including a set at London's esteemed Fabric nightclub, and an ambient performance and collaboration with video artist Scott Sunn at Seattle's Triple Door in April. Jeff has recently been involved in two film projects, co-scoring David Gordon Green’s “Snow Angels” (with Kate Beckinsale, Sam Rockwell, 2008), and scoring the film “Linewatch” (dir. Kevin Bray, 2009; with Cuba Gooding Jr., Omari Hardwick) He is currently putting the finishing touches on an upcoming album, and gearing up for future travels in the coming months. Show less
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